Author Archives: missjaybar

Art 1 Final Project (Part 3: In Progress)

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We have been working on the final project in art 1 for 4 days now.  And, let me tell you, it has been a blast.  After making monoprints, I introduced the idea of surrealism.  Then, as a class we talked about the “requirements” of the final project.

I talked about composition and how it was important to invite the viewer in and keep them in by creating an entryway, “lines” that help the viewer to move around, and depth to keep them there.  I told them that an artwork is a 2-way street–both the artist and the viewer are important.  Not only can you use the artwork to say what you, the artist, had to say, but you also want to create something that the viewer wants to look at.  I told them that they could have this horrific subject matter, but if they created depth and interest that the viewer could get lost in and move around in, then they have won.  They have solved both problems and their artwork is a success.  I told them of a painting I saw in Vienna that was so bloody, but had so much depth, that I went and stared at it for over a half hour, just lost and wandering.  I never showed them the painting, although I have thought about it.  I can still just stare at it for quite some time and get lost.

“Kreuzwegstation”, Hermann Nitsch, 1961. (Translation, “Station of the Cross”)

But, back to the art 1 assignment.  The last part of the assignment was the use of multiple mediums.  I told the students that I wanted them to explore mixed-media art.  I let them know they could use any technique or material we have used.  I told them they could try new things we haven’t used.  I was open to anything.

And off they went to collage.  And, off I went to collage. We have been having a blast.  The kids are loving looking through magazines and having me make photocopies.  Every piece is so different.  Some are serious.  Some are fun.  Some are just plain awesome.  I can’t wait to see where they end up.

One student today said to me as I was walking around looking and asking questions, “I don’t know if I am doing this right.  Is this what it should look like?”  “It looks exactly like what it should look like,” I said, ” Yes you are doing it right.  I am coming up with mine as I am going along.”  He seemed very pleased with this answer.  I know he is working hard and I can see he is making carefully planned out choices.

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A serious piece about words that hurt us–I think she is still looking for the “right” eyes.

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Yesterday, she said she wasn’t sure what to do.  All she could come up with was trees.

P1030942Today I was joking around with the bottom half of some penguins I added to mine and told her to glue them to look like the feet were hanging out of the tree leaves.  She did.  And now she is painting in a volcano under the tree that the penguin will fall into.  I told her this is awesome.  It is so not serious, which is so different than her normal work.

 

This student has been inspired by both the highest point, Mount Everest, and the lowest point, the Black Sea.  She chose the former.

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Simple, at least for now, with just a set of eyes.  Can’t wait to see what the conte will bring.

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I have one student that pulled about 5 monoprints.  She is creating multiple mixed media pieces and then will decide which one is the most successful and will turn that in.  Here is one of them.  I love the energy and her intensity with which she is working.

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I have been having a blast, not only watching my students create and make choices and collaborate, but also creating mine.  I think that the energy I am bringing to making my piece has rubbed off because the energy in the room is different.  The way the students are working is different.  And that is a good thing.

The students are funny.  They are like, “Who are you?”  “You are never like this.”  “You’re examples are never this crazy/weird.”  I told them, “Not weird, Awesome!  My artwork is just awesome and you are jealous of it’s awesomeness.”  Of course, this is all in good fun and they jab me right back.  (Then the whole penguin thing occurred, so….um….yeah.)

But, here is my example, just in case you were wondering.  Yes, that is a duck ship.  Yes, it is beaming up an armadillo.  And, yes, that condor is shooting laser beams at the unicorn. But, no, I don’t know what’s up with the monkey.  And, no I don’t know which side the fish are on.  I just know it is Animal Armageddon in Penguin Town.

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The students have 5 more class, plus their exam period to complete their surreal mixed media artworks.  Every day I look forward to my 3 art 1 classes.  I can’t wait to see what they do next.

 

 

Art 1: Final Project (Part 2: Monoprints)

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I had planned to start on Monday, but an unexpected Mother’s Day gift from my son (stomach virus) caused me to start a day late.  While I felt bad taking time away from my students to work, I think they are strong and will not let it affect them.

Today was part 1 of the project:  monoprints.

Several years ago at a conference at UT, I learned how to create monoprints using water and tempera paint.  It was messy and tons of fun.  At the time, we used the paper to make paper kimonos.  Cute, but not really my thing.  I have used the technique another time as a background to learn about symmetry using the Maori Moko Tattoos.  I have since stopped that lesson, but I thought the monoprint technique was a great base for this artwork.

As I stated in part 1, I find that many people, myself included, have a hard time making those first marks on clean, pristine, white paper.  So to help solve that issue and hopefully allow the kids to jump right in, we created monoprints.

Our “plates” for this were my tables.  I covered three tables with water and 2 colors of tempera:  blue/yellow, red/yellow, and red/blue.

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Next the students would lay down their paper and pull their print.

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Some of the kids liked the process and made several monoprints.  Others were not into the mess or just didn’t want to make art today.  But I am happy with the outcomes and I hope they all have a great base for their multimedia artwork.

Now, the worse part of this activity is the clean-up.  I did have newspaper every where, but there were still a lot of dripping from walking the prints over to the counters.  And, unless you ask the kids to help, no one will.  They will all just sit and watch you clean and wipe up the floor on your hands and knees.  I was disappointed that out of my 65 students, only 3 offered to help clean.  I guess the brightside is it was cleaned to my standards.

Here are some of the fabulous results.

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Art 1: Final Project 2014 (Part 1)

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Originally, I planned on being able to have one last project in art 1, spending a day or two reviewing for final exams, and then having a written test.  Not exciting, but it is what it is.  Then STAAR happened.  I didn’t really take into account that state testing would take kids out of my room for 3 days (and me for one to administer), thus having me lose almost a whole week and pushing back my plans.  There wasn’t really much I could do that could be done in less than 2 weeks that was meaningful.  And, I couldn’t just let them do nothing for 2 weeks.  Plus, I really didn’t want to write an exam.  It’s not my favorite thing to do.  So, I came up with a final project that would also become their exam grade.  I call it “”.

Over the next few posts I will document our exploration through the multimedia process.  I am not sure of the outcome, but I am excited about the journey.

First we will create monoprints using tempera and water.  I have done these before, albeit 6 years ago, for a project on symmetry and the art of Moko Tattoos.  This will become the “ground” or base for the artwork.  I have found that often students are intimidated by the white surface.  It’s so clean and error free.  Hopefully having this monoprint background will help break that fear.

Second students will find several images from magazines.  I suppose if a student really wants a certain image from the interwebs I will allow it.  They image will then be in b/w unless the student has a color printer at home.  I am hoping to halt images at 3 or 4 so it doesn’t become too crowded.

While I was out administering the STAAR test, students did 2 Arts & Activities reading about composition and leading the viewer through a composition. Here and here.  We will review the major concepts from the readings and I will expect them to create their artwork with the concepts in mind.

Students will then be asked to add more to their collages using a variety of other media: pencil, colored pencil, marker, sharpie, pen, paint, and well, I guess anything else we have used this year.  I am hoping they will had additional layers of depth and interest with the additional media.  I have created a pin board for them with some collages, but I really am unsure what to add to the board.  I don’t know what to search for to find examples to show.  But, maybe that is good as it will leave the door wide open and they won’t have preconceived notions of what this “should” be.

Pack your bags and join me on the journey to places unknown and unfamiliar.  My art 1 kids are always surprising me, I hope they do here as well.  (And I hope they will be able to work in our short time frame–this is the most nerve-racking part of this.)

This Book I Read…

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Lately I’ve had several issues on my mind that seem to revolve around the same similar topics:  copying, tracing, originality, etc.  I feel these are in the same vein, if you will, of something that we as artists need to understand what is acceptable and what is not.  I also feel we as art teachers need to teach our students the same things.

Several months ago I “started reading for free” this book by Austin Kleon called Steal Like an Artist.  In other words, Kindle let me read a small amount of the book for free to see if I wanted to buy the book.  I never bought the book for my Kindle.  However, last week I needed something to fill my cart on Amazon so I could get free shipping.  I put this book in because it was 40% off.  I AM SO GLAD I FINALLY PURCHASED THIS BOOK!!!

I thought it would just be just a cute book.  It’s a quick read, but one full of lots of food for thought about these topics that have been on my mind lately. I am sure that not everyone will feel about this book like I do, but it really resonated with me and the ideals I want to teach my kids about making art, or just being creative in general.  I highly recommend it.

Some of my favorite parts include:

“What to copy is a little bit trickier.  Don’t just steal the style, steal the thinking behind the style.  You don’t want to look like your heroes, you want to see like your heroes.  ~page 36.

“Imitation is about copying.  Emulation is  when imitation goes one step further, breaking through into your own thing.”  ~page38.

“Remember ‘Garbage in, garbage out’? You’re only going to be as good as the people you surround yourself with.” ~page 102

I want my students to read this book.  Not all of my students, but my art 2 and higher students.  I think it will help them to think deeper about what they are creating and HOW they create it.  Or, at the very least, it will give pause when they begin to create that next artwork for class or themselves.

Due Dates, Deadlines, and Late Work

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This is a topic that if you ask 10 different art teachers, you would get 10 different answers.  Some teachers are very strict about due dates.  Some teacher follow what is set forth by their district or campus.  And some teachers don’t care at all about them, accepting work until the last possible moment before grades are due to the registrar.

I want to say I have struggled with due dates and deadlines over the years, but I think that is not the case.  I am a teacher that does have due dates.  Most of the time, my due dates are flexible.  If a class is working hard and clearly needs more time, I am willing to move that due date and give an extension.  I also give the students a week of time to come in on their own to finish work and turn it in for a small late penalty.  This is more than the district tells me I am obligated to do.

But what about due dates when it comes to kids that sit around and do nothing?  Is it wrong that I have no sympathy for those kids?  Is it wrong that I don’t want to give them more time?  I feel there is a difference between planning and doing absolutely nothing.  I have students that do sit and plan and do some research and appear to the untrained eye that they are doing nothing.  But, on the other end of the spectrum are the kids that sit and do nothing and expect me to give them extra time.

Am I doing a disservice to the the artistic process or is it a good learning experience?  I feel that in the real world there are “due dates”. There are deadlines.  There is no “late work” penalty…well, maybe there is a some kind of penalty for consistently turning in late work–perhaps they will get fired or get bad evaluations.  So, should I give them some practice to help prepare them for college and the “real”world?  Or should I continue to coddle them and leave them to find out on their own there are consequences for their actions, or lack there of.

I am constantly torn on this issue.  I am not sure there is a right or wrong answer to this issue.  Maybe next year when I move to a modified choice classroom and kids hopefully will be more invested in their work, I will have less of an issue with this.  Maybe with the snapshot grading system, I won’t really have as many issues because as they see when they do nothing and they have nothing to post on their blogs, that might help them.

I read this blog post on accepting late work.  It is interesting.  Do I believe in the concept?  I don’t know.  Will it work for me and my student population?  Maybe.  Will I change my policy?  Probably not right now, but maybe in the future.  Will my kids take advantage of it?  Who knows.

I looked for a good quote to end this.  Then I saw this.

So what do we do? Anything. Something. So long as we just don’t sit there. If we screw it up, start over. Try something else. If we wait until we’ve satisfied all the uncertainties, it may be too late.”  -Lee Iacocca

What is wrong with this print?

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In my art 1 class, we are working on creating block prints.  I talk about it being the reverse image from the block to the print. I asked the students not to do letters because I really wanted them to concentrate on learning the process, not dealing with making sure that the letters are the mirror image.  I thought I had it all covered.

I was wrong.  Neither the student nor myself caught it until another student saw the proof print and mentioned it.

Can you tell what is wrong here?

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Dealing with Disappointment

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Recently one of my classes took on the monumental task of creating a cardboard “city”.  I had shown them a photo I found on Pinterest.  I asked them if they were interested in this and they said they were and were excited to try and build something in the same vein.  I knew that it would be difficult.  I save cardboard for ever it seemed.  I also knew the skill level of my students.  I would never had expected them to rise to this level.  But I did expect more.

My students originally thought they would make a ship, but somehow they changed it to a castle.  I thought, that is going to be great.  They will cut out brick and make it look like a bas relief.  Wonderful.  One of the students even said she would make a dragon to go with it.

As time went on and I checked on their progress, I grew more and more disappointed with the castle.  It had a great basic shape, but other than that…it looked like something I would order out of one of those catalogs for prom.  The covered the whole thing with craft paper and drew squares.  These were my seniors, my advanced sculpture students, and they had over 2 months to work on this.  How could this be what they created?

Now it is over a month later and I have had time to think about it.  I still don’t know how to deal with the disappointment of this project.  Should I consider it a project flop that Ian Sands could put in his book?  Should I just brush it off as a early case of senioritis?  Was I expecting too much?  Did I not push them enough to do more?  I know they learned a lot about creating something so large and working in a group. As a teacher, I appreciate what they learned from this project.  But shouldn’t sometimes the product be important too?

I don’t know.

How do you deal with disappointment in projects?  What do you as a teacher learn from it?

By the way, the dragon head turned out awesome.

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The Umlauf Sculpture Garden

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Last week I took my senior (and one junior) sculptors on a field trip.  Field trips at my school don’t happen very often, so when my principal said I could go, I didn’t hesitate in making the plans.  I picked a day in April when I thought it would be a great time to visit an outdoor sculpture museum.  And, man did I pick a good date.  It was sunny and mild.  The flowers were blooming.  The trees were green.  And the air was fresh.  It was a spring day in Austin.  And, it was a great day to visit the Umlauf Sculpture Garden.

I am not sure how many of my students had actually been to a museum before.  Perhaps they had been to the historical museum in their town, but that isn’t really the same.  At first my kids seemed bored.  But as we watched them, I think they were more unsure how to act.  What did they know of a docent and what a museum tour would be like.  I was worried that the trip would be a bust.

But then we moved off the patio and went over to see St. Michael and Lucifer.

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Our guide told the students they could touch the sculptures…and oh man, it was a whole new ball game.  My kids started to liven up.  They impressed me at every turn.  They were so well behaved.  They were genuinely interested.  It was one of the best days of the school year.

Student: “I liked that the Sculptures were surrounded by nature. It was something I haven’t seen before. I also like that they were very realistic and had stories behind them.”

Student: “I liked the way everything was placed in the garden, everything was placed according to the art piece. Like the pope was placed on higher ground overlooking the animals. How the lovers piece was in front of a pond with lots of lilies and it looked beautiful.”

Student: “They all had sentimental value and meaning to Umlauf. I really enjoyed how he made his sculptures with so much detail.”

Student: “I liked the second sculpture of the lovers series. I really liked the one where the man was lifting the woman, because I really liked the way her feet were curved, and to me it was a better pose than the first one we saw.”

Student: “My favorite sculpture was one of the sculptures outside. It was one figure with an arrow or spear, going in to stab to be what looked like the devil. It’s a religious piece and I just really enjoyed it because I grew up around a very religious granny.”

 

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One of my personal favorites by Umlauf.

One of my personal favorites by Umlauf.

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THS Sculpture 2013-2014

 

A Touching Moment

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I had moved my glazed clay boxes out of the kiln room into the classroom during 7th period today.  I noticed a boy that for the most part was just meh about art class, except for the week that we worked with clay, checking them out.  Earlier this year I told him that he should take ceramics next year because I had never seen him so into class like he was while working with clay–he was like a completely different student–he had completely come alive.  I thought he had forgotten or changed his mind when it came to sign up for classes as I never not talked with him about it since.  I quietly asked him today if he had signed up for the class.  He said Yes.  My heart jumped inside.  He is one of those kids that school doesn’t really mean anything to him and I am sure he will just get by and get out.  So, if I can get him hooked and interested in something.  I just know that he will love it.  I just know it..  I thought he had forgotten when it came to sign up for classes as I never not talked with him about it since.  I quietly asked him today if he had signed up for the class.  He said Yes.  My heart jumped inside.  He is one of those kids that school doesn’t really mean anything to him and I am sure he will just get by and get out.  So, if I can get him hooked and interested in something.  I just know that he will love it.  I just know it.

Cinquain Poems and Illustrations

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I’ve been told it is National Poetry Month, so this lesson couldn’t have been planned at a better time.  In art 1, students are learning how to create CINQUAIN poems and then will create illustrations based off their poems.  I am very excited about this project.  A cinquain is a 5-line poem that follows certain guidelines.  You can find out more here.    Here is the worksheet I am giving my students.

After the poems are written, students will then create thumbnail sketches of illustrations that relate to their poem.  Things students should consider when creating illustrations are making images close-ups, cropping images some parts go off page, and details.

The final illustrations will be on 4″X4″ paper.  Students will have the choice of completing their drawings with pencil, colored pencils, or a combination of the two.  Illustrations will be mounted, along with a printed out copy of the poem, on black paper.

Teacher example:

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