Tag Archives: advanced sculpture

Year in Review: Part 2: Things Learned and Things to Learn

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In this part of my reflection on the 2014-15 school year, I decided that I would look back over the changes that took place by bringing TAB/CBE into my classroom.  While I have offered modified choice in my room for a while, this was the first year to fully implement the TAB pedagogy. It has been a huge learning experience, both for my students and for me.

I had heard and read about all the wonderful things that have an open studio could do, but to be honest, I was still skeptical.  Could my student population really do well with such freedom?  The answer is yes.

Let’s start with some positives from this year:

  • P1050661Kids worked through artwork until they were satisfied…at times starting a new piece because it just wasn’t working.  This just amazed me.  I’ve had kids work hard on things before, but never with the fervor I’ve seen this year.  They pushed themselves. And it paid off.
  • Kids learned from other kids on how to do something I didn’t teach them.  They would see something someone else had discovered and asked how to do it.
  • Kids tried new things, even when previously saying they didn’t like such-n-such medium. Some would try out a material, such as clay, just to discover they still didn’t like it.  Others would finally break away from what was known to the, only to find a new love.
  • Clean-up/ownership of materials and tools.  I have to clean a lot less than in previous years.  I am not seeing a mis-use of materials (paper, paint, etc.–except for ez-cut.) Trusting my kids to be responsible with tools and materials was probably my biggest hang-up when moving to full choice. But, I was pleasantly surprised when tools got returned, when I still had erasers at the end of the year, and when the majority of brushes were cleaned.  I think that giving the students trust to maintain the studio was a big factor in this area.
  • I am noticing I use the word kids a lot.  My students are in high school and probably wouldn’t want to be called kids, and they aren’t related to me, but they feel like my kids.  This year I have had the most comfortable relationships with students.  I know more (and some things I would like to forget..can you say tmi?) about my students this year than I ever have before.  I think thP1060155is stems from a combination of reading their blog posts and the type of conversations I was able to have with my students.  Because I wasn’t focused on them creating a certain thing or following a specific rubric, I was able to go deeper with them into their work and their lives.
  • Lots of growth happened this year.  Not every student grew.  Some kids are just there for the credit.  They don’t care one way or another, and no matter what you say/do or don’t say/do isn’t going to change that.  There were classes I took in both HS and at my first college where I felt the same.  It’s normal.  It’s okay.  And I accept that.  But, for the majority of students, they did care.  I saw them push themselves.  Some grew in drawing skills.  Others in painting.  Some grew in meaning put into their artwork.  I had a couple that finally stopped copying things from the interwebs and began making their own.  One student who did the bare minimum for 90% of the year finally came alive at the end once he realized he could things in an anime style if that is what interested him.  He didn’t pass, but he promised me that the flame I saw at the end would be there for the whole time next year.  I have a hundred stories to tell about student growth.  It makes me smile when I think about them.P1040736
  • The art making didn’t always stop with just creating the theme artwork.  Many students just kept going.  They wanted to create this or that, so I let them.  Why stop the creativity?  Why make them sit there and do nothing?
  • My school is a 1:1 macbook, and this year I felt I really had the students using the computers in a positive way.  We weren’t using it just because it was an expectation.  We were using it to communicate and reflect.  The website/blogs created by the students and by myself were a great thing, even if their writing needs some help.

While I did change things during the year to better meet the needs of the students, I still have areas that need addressing over the summer.  And of course, there are areas I feel that if I just changed it up a bit, students would be more successful.

  • Helping the students to understand why we do the blogs.  We started out with artist behaviors.  The students wrote about what they were doing and addressing the behaviors.  I thought P1040846they were moving along and understanding things.  So, we moved to artist statements after winter break. Nope. Most students weren’t there yet.  I then gave them the option to either do an artist statement or pick 2 behaviors like we did previously.  After reading their end of year surveys, I know they didn’t really see the point of them.  A handful of students did (and by handful I mean like 5), but the majority couldn’t see the point of writing in art and thought it was just busy work or for a grade. This is good to know.  I know my student population has an issue with writing, and I am sure that our state testing is partially to blame.  They are not good at writing, sad to say.  But, what I gleam from all this is that need to help them to see that artists write about what they do.  That reflecting on the actions they are doing can help them grow as an artist.  And, that writing is not just for English and History class.
  • I did well creating demos for the students, but I feel I could do more.  I feel that I left some things up in the air…like color mixing…and some kids never explored that on their own.  Perhaps if I give them a taste of what color mixing could do…it could bring more life to their artwork.
  • The students have the ideas, they just need a bit more help as to what is possible oP1050608ut there–both in image, media, and technique.  How do I get them to see beyond the typical art room materials?  How can I encourage them to try something new?  How can I get them to go deeper and think further beyond the obvious? I need to address my line of questioning, the way images get shown to them for inspiration, and helping them to make more dynamic composition decisions.
  • This is the first year I had all 3 sculpture levels doing ceramics.  It was a lot of trial and error. While the students were happy with how things ran, it could be better.  I haven’t figured this out yet, but I will…even if every year we change some things to make it better.
  • Themes were tricky.  Ones that I thought would be killer…dropped dead.  I like working with the themes and I think, especially for my art 1 kiddos, they worked well.  Feedback said the students liked to have a starting point for their artwork.  Things I have been considering for next year…giving the entire list of themes and having them pick as they please…but then how would our padlet brainstorming work with that method.  Having the students suggest themes and then having a vote.  Something else?P1060109
  • Feedback and critique needs to change…big time.  I give personal feedback as I walk around, but I feel I miss students or I hit them too late in the process and they have yet to fully understand things can still be changed and you can go back to an earlier stage.  I want to do critiques more…especially mid-project. (And definitely mid-project in ceramics.)  I am hoping that this topic will be brought up at the TAB Institute this summer so someone can help me to suss this out.

I have more questions, but this has gone on long enough.  I feel that I will always have questions and that is a good thing.  I can’t become stagnant and complacent in my art studio.  No one will benefit from that. All in all, it was a fabulous year.  I mean, there wasn’t one day this year where I woke up and said I didn’t want to go to work.  That says something…don’t you think?  And I know that things will just get better and better if I keep putting my students first by helping them to think like artists and behave like artists and create like artists.

Big changes are on the horizon at my school.  Our entire admin staff is changing.  We are getting a new principal and moving from 4 assistant principals to an assistant, an associate, and a dean of curriculum. And, they will all be new people.  I’ve had a chance to sit and chat with our new principal.  He is very easy to talk to.  I told him about all the changes that I’ve done this past year.  I talked aboP1050334ut TAB and choice and the pedagogy.  He thought it was wonderful and that it aligned with something that was talked about at some principals/superintendents conference.  That made me happy and feel that I was doing the right thing.  And, surprisingly, when I said my final good-bye to our current principal, he said something I never thought he would.  We didn’t always see eye to eye, and sometimes I thought he just didn’t notice and didn’t understand.  But, he told me to keep doing what I was doing.  To keep my expectations high and keep pushing the students.  He said that that is what they will remember and what they will appreciate.

And to that, I say, they do.  And I will.

This Book I Read…

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Lately I’ve had several issues on my mind that seem to revolve around the same similar topics:  copying, tracing, originality, etc.  I feel these are in the same vein, if you will, of something that we as artists need to understand what is acceptable and what is not.  I also feel we as art teachers need to teach our students the same things.

Several months ago I “started reading for free” this book by Austin Kleon called Steal Like an Artist.  In other words, Kindle let me read a small amount of the book for free to see if I wanted to buy the book.  I never bought the book for my Kindle.  However, last week I needed something to fill my cart on Amazon so I could get free shipping.  I put this book in because it was 40% off.  I AM SO GLAD I FINALLY PURCHASED THIS BOOK!!!

I thought it would just be just a cute book.  It’s a quick read, but one full of lots of food for thought about these topics that have been on my mind lately. I am sure that not everyone will feel about this book like I do, but it really resonated with me and the ideals I want to teach my kids about making art, or just being creative in general.  I highly recommend it.

Some of my favorite parts include:

“What to copy is a little bit trickier.  Don’t just steal the style, steal the thinking behind the style.  You don’t want to look like your heroes, you want to see like your heroes.  ~page 36.

“Imitation is about copying.  Emulation is  when imitation goes one step further, breaking through into your own thing.”  ~page38.

“Remember ‘Garbage in, garbage out’? You’re only going to be as good as the people you surround yourself with.” ~page 102

I want my students to read this book.  Not all of my students, but my art 2 and higher students.  I think it will help them to think deeper about what they are creating and HOW they create it.  Or, at the very least, it will give pause when they begin to create that next artwork for class or themselves.

The Umlauf Sculpture Garden

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Last week I took my senior (and one junior) sculptors on a field trip.  Field trips at my school don’t happen very often, so when my principal said I could go, I didn’t hesitate in making the plans.  I picked a day in April when I thought it would be a great time to visit an outdoor sculpture museum.  And, man did I pick a good date.  It was sunny and mild.  The flowers were blooming.  The trees were green.  And the air was fresh.  It was a spring day in Austin.  And, it was a great day to visit the Umlauf Sculpture Garden.

I am not sure how many of my students had actually been to a museum before.  Perhaps they had been to the historical museum in their town, but that isn’t really the same.  At first my kids seemed bored.  But as we watched them, I think they were more unsure how to act.  What did they know of a docent and what a museum tour would be like.  I was worried that the trip would be a bust.

But then we moved off the patio and went over to see St. Michael and Lucifer.

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Our guide told the students they could touch the sculptures…and oh man, it was a whole new ball game.  My kids started to liven up.  They impressed me at every turn.  They were so well behaved.  They were genuinely interested.  It was one of the best days of the school year.

Student: “I liked that the Sculptures were surrounded by nature. It was something I haven’t seen before. I also like that they were very realistic and had stories behind them.”

Student: “I liked the way everything was placed in the garden, everything was placed according to the art piece. Like the pope was placed on higher ground overlooking the animals. How the lovers piece was in front of a pond with lots of lilies and it looked beautiful.”

Student: “They all had sentimental value and meaning to Umlauf. I really enjoyed how he made his sculptures with so much detail.”

Student: “I liked the second sculpture of the lovers series. I really liked the one where the man was lifting the woman, because I really liked the way her feet were curved, and to me it was a better pose than the first one we saw.”

Student: “My favorite sculpture was one of the sculptures outside. It was one figure with an arrow or spear, going in to stab to be what looked like the devil. It’s a religious piece and I just really enjoyed it because I grew up around a very religious granny.”

 

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One of my personal favorites by Umlauf.

One of my personal favorites by Umlauf.

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THS Sculpture 2013-2014

 

Prepping for the art show

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In August I decided I wanted to celebrate National Youth Art Month.  I thought what a better way to celebrate than to put on an art show.  In September I asked my principal if I could and he said Yes!  So, for the next few months it was kind of slow going.  Now that March is here and the show is in a week, things are finally starting to make me anxious.  I am worried that I might not pull it off.  I am worried that I will in fact pull it off.

Things that I had to do for my show:

  • collect student art…check  (this should be done through out the year and by both art teachers)
  • mount student art…check
  • get written up in local paper…check
  • print and “mount” labels for all artwork…check
  • get culinary students to help with refreshments…check (now this was a tough one to figure out how many people to figure for.  I said 100.  I feel that is high, and that makes me a little sad.)
  • send invitations to parents of those students with work in the show…check
  • figure out tables and table coverings…check (I had a ton of burlap, so that’s what I’m going with)
  • figure out how to hang work in a place with no walls that will take tacks…check (I bought a bunch, and probably not enough, sticky tack for the lighter pieces and I plan on hanging the framed pieces around the stairway columns.  Let’s hope it all works.)
  • make a poster and announce the show…check (it’s on the website, in the lunch announcement powerpoint, an all-call is going out to parents on Wednesday evening, and the principal will announce it in the morning announcements)
  • spotlight the Senior artists…check (for this I created a google form that asked the seniors a few short questions.  From there I found a free QR code program and made codes for each student.  I will hang a code by one of the senior’s artworks and guests can scan the code and find out a little artistic tidbit about that artist.  I think this will be a great interactive addition for the show.)
  • set up the show during the day…  not there yet.  Friday is the day.  I took the day “off”, but I will definitely be working.  I plan on pulling students from various classes to help me set up.  I hope it goes smoothly.  Who knows.

I hope I can pull it off.  It all comes down to Friday.  I don’t know who will show up.  I hope at least half of the students with work in the show will come.  Many students have said their parents have expressed an interest in seeing their child’s work.  As I said before, I am nervous that I might not pull it off.  And, I am nervous that I might.  Wish me luck.

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