Category Archives: Curriculum

Corona and Remote Teaching

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I see it has been over 2 months since my last post. And, quite frankly, I’m not surprised. I had some ideas in the works for new posts on the exciting stuff and things happening in the Duck Art Room since January, but then Corona hit, and my spirits plummeted.

I tried with all I had in me to look the “new normal” in the eye and take it on. And by new normal, I mean remote teaching or distance learning or “homeschooling” 🙄🙄🙄. (Don’t get me started on how none of this is homeschooling. I know people that homeschool for a living, and this is not it folks. But I digress.) It was hard. I wanted to be the best teacher I could be, but in truth, I wanted to just paint and drink coffee and play with clay. And I’ve done all that. In fact, by the end of this, I will have a full kiln load of just stuff I made.

One week away from school turned to two weeks; then to three weeks. And now, I’m pretty sure we won’t be back this school year. And at this point, while I want to see all my kids more than anything, I don’t know how we could make the switch one more time with 7 weeks (in my district anyway) of school left — 3 of which we are definitely out for Shelter-In-Place orders.

My district has been remote teaching/distance learning for 3 weeks now. I feel it has all been one big trial and error session. My district finally came to a decision about grading and GPA and class rank–which for those of you who teach high school know that these things are currently important in the world of education and higher education. I won’t go into everything, but we are going to a pass/fail system for the second marking period of the 2019-20 school year. Grades will be assigned with “prominent emphasis on completion and effort”. So, that sounds good right. It sounds as about as equitable as they can get. We are trying very hard to make sure we can meet accommodations and reach students without internet and give grace to those struggling with home issues (siblings, work, etc.) that affect them being able to do school work. Could more be done? Probably. But I know we are trying.

What does this all have to do with Art and Teaching for Artistic Behavior and Duck Art? A lot actually. I said that my spirits had plummeted, and that included my spirit for facilitating meaningful art making situations for my students. Instead, I assigned what I felt was going to be the easiest thing for me to do. Currently, I have about 50-65% participation from my students–some do all of it, most pick and choose and turn in a thing here or a thing there. It made me sad to say the least. I was missing seeing my kids make and create and all those other things that go with being artists.

Earlier this week, I was looking at Facebook, like all who are at home do, and I finally clicked on my friend Melissa Purtee’s post about what she was doing remotely with her kids, and it sparked something in me. I was then reminded of a post another friend had put in the main TAB Facebook group about not forgetting our purpose as TAB teachers–those 3 main tenets of the philosophy. I knew I had to change what I was doing. I couldn’t sustain it anyway. So, I borrowed from Melissa, as she so graciously lets us do, and made a new website for my students–all of my students, no matter the level or the class type. It gives them choice. It lets them decided how to spend their time during the week–instead of a daily assignment, they know what they need to do for the week on Monday and can plan their schedule to meet their needs. It makes them think and decide and research and plan and all those behaviors we have been talking and learning about for months or years. I have full belief in my students and I am hoping that it is what is right for them, and for their situations. I hope they can see art making not as a thing they have to do, but they want to do–because the freedom is in their hands now.

I’ll leave you with this. I’m not sure how I feel about our “New Normal”. I just hope I am bringing a sense of comfort to my students thru art and choice as we navigate this together.

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Restoration of a Practice

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As we enter the third week of the new semester, I thought I would update on my “restoration” of the school year. (Confused? See this post for some clarity.) I know it has been a short time, but I am starting to really feel like I am getting a hold of the school year. Maybe I should say it’s been a long time. I mean, it is January, and we’ve been in school for about 4 months already.

img_20200123_183235_2816965594421370195777.jpg       img_20200122_110002_4556652781830567087963.jpgI came into this semester in a different frame of mind. I realized in December that I needed to change what was happening in my art studio, what was happening with my students. I felt they weren’t getting the best out of our TAB studio. And, I knew it wasn’t really them, but it was me. I was doing what felt right last school year…what worked for last year’s students. I was doing what I thought I should be doing. I wasn’t really seeing what my kids were missing.

So, over winter break I sat down with notebooks and made lots of notes. I figured out what my students were needing, and got to planning.

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We started off with an exploration of the human face. It was very teacher-led, but it was a good way to start off the new semester. It got them engaged because teens love drawing eyes and lips. It helped to build their skills, and it was a nice ease back into art after 2+ weeks of sitting around.

But, it was what I decided to do after that I think is really making the difference. In art 1, we had been working through “The 9”, packets designed by Ian Sands that offer a lot of choice, but on a more basic, general subject matter (landscape, nature, architecture, etc.) These have been helpful, but I felt my art 1 students

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needed more. At one point in my TAB journey, we worked with themes. I felt it was time to incorporate themes again. What I ultimately decided was that students would have a choice of a new packet (this time portraits due to the exploration we did), any previous packet we have visited this year, and a theme. And, so far, so good. Students are much more engaged with the larger choice, and because everyone isn’t doing the same packet, there is much more delving into the ATP (Artistic Thinking Process). Also, the required student-teacher meeting between development and creation has really helped them as well.

I20200116_1003544689872620955959336.jpg am finally fully engaged this school year, and all it took was some deep reflection and a few tweaks to restore my passion for TAB and teaching.

The Re-Do: A Final Exam

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It appears as if I am not the only one to have students revisit an artwork made earlier in the year to re-work as a final exam for high school art.  (Melissa Purtee wrote about it here, and I did take the idea from Ian Sands.  Janine Campbell did it years ago.)

Anyway, for my art 1 and my art 2: p/d classes, the exam was to take a piece of artwork they had made sometime in their class that they created or started to create and re-do it in one of 3 ways–make it better, make it different, or rearrange it.  We looked at a slide show, I answered questions, and then kids had at it.  When they were finished, I had the students fill out a written reflection about the new artwork, why they chose that piece to redo, how they re-did it, and which was stronger/why.  There were a couple of other questions about the work they did this year as well.   The students had to turn in the original (or a photo of the original) with the new work so I could compare.

I thought it was a great way to finish the year.  Students were able to go back over everything they had created.  Some pieces they hadn’t seen since I put them back in their portfolios earlier in the year, some forgetting even having made the piece.  The reasons students gave for choosing specific pieces varied–from it was my favorite piece to I wanted to take it out of my sketchbook to I knew I could do better.   I am so proud of the work they put into the new pieces.  It really was a good way to show what they had learned over the year–art making skills, decision making skills, and reflection skills.  It’s a final exam I will continue to use in my classes.

I wish I had taken more photos, but I was so caught up in what they were doing and the end of the year, that I forgot.

The Power of One Challenge

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I had hit a slump.  There were 2 packets of “The 9” left to complete for the year, but I wasn’t feeling either one of them.  I considered doing a watercolor exploration, but then decided my art 1 students really didn’t need anymore media explorations at this point in the year.  So, I did what any TAB teacher would do, I asked my TAB colleagues for suggestions.  It was there that I decided I would create a challenge based on Phil Hansen’s Ted Talk, “Embrace the Shake“.  Thus, the Power of One Challenge was born.

We started the challenge by watching the Ted Talk.  We had already watched it earlier in the year, but I told them we were going to watch it again as it was very important to what they were about to be asked to do.  Next, I gave them the run-down of the challenge.

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I didn’t give much other information.  I told them to think back to the video and the work that Phil Hansen made and HOW he made it.  I gave time for questions, and time for research.  They had a day and a half to look up info needed and to print it out before losing computers.  I limited computers because I have a love/hate relationship with out 1:1 school.  I really wanted them to concentrate on art making without the distraction of games and movies and whatever else it is they do on their laptops.

Some kids got the concept of the challenge right away.  Others took the whole day and half to grasp what was being asked of them.  Once they started, I just sat back and watched them learn, answering questions when asked.  They problem solved.  They were creative.  They all weren’t so original, but that often happens in an art class–one student sees another doing something they feel as cool, so they want to do it too.

I really enjoyed this 2 week challenge.  It gave me time to recoup as a teacher, but was super beneficial to my students.  When I go to do this challenge again, I will change how we present when all is finished.  And, I might change when we do it, and have it be their final exam.

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Watch through the slideshow to see what each artists “1 thing” was.  I am so proud of these kids.

Working with “The 10”: Ceramics Packet Reflection

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My friend, Ian Sands, developed a system called “the 9“.  They are packets based around the basics of subjects of art that artists create.  It’s not about content, but more about category that art would fall into.  The packets include: the object, architecture, nature, landscape, figure, portrait, imagination, non-representational, and conceptual.  He introduced them to me some time last school year, and I thought they were wonderful.  I’ve been successfully using them with my art 1 students this year.  They are a great introduction to art categories, while allowing my TAB students to make lots of meaningful choices.

I tested them out last year with one of my classes, and thought that they would be a great tool for working with my ceramics students as they move along their artistic journey.  Sometime last spring, I began planning how to use Ian’s model for my ceramics program.  I began researching and decided that for the most part, ceramics artists’ works fall into most of the same categories.  But, I discovered that there are 10 categories, instead of 9.  They include: nature, animal, architecture, “figure”-ative, functionality, imagination, non-representation, portraiture, the object, and conceptual/installation.

Following Ian’s template, I created consideration questions for each packet, changed up the suggestions and geared the planning around requirements I have for my students.  I am very happy with the development of my packets.

Now, here’s where I am dissatisfied with “The 10”.  I rolled them out in a way that I find isn’t working the way I hoped.  I thought it would make my students more independent, so I introduced it with my intermediate and advanced students.  (They meet at the same time.)  I think this was my mistake.  I should have used it with my beginners after we completed the “have-to” portion of our class.  Seeing how my art 1 students are growing using “The 9”, helped me to see this.  Currently with my beginners, we do ceramic artistic behavior units right after finishing our “have to” section.  We just began our first unit, Ceramic Artists are Inspired by Nature, but I think that after this unit, we will pass out sketchbooks and move onto the next packet.  Nature is one of the packets after all.  We will continue through the rest of the year going through packets, picking up next fall with where we left off.  Then we will dive into deeper meaning with Ceramic Artistic Behavior units.

I will continue with my upper ceramic students in the way we are working. With the exception of one student, they are all seniors, and I’m not too worried about it.  They are working and learning and growing.

They say it takes 3 years to really build up a program.  Like I previously stated, this is the 5th year of the program.  I’ve been playing around with it, trying new things each year to replace things that weren’t working.  I feel I finally have a great grasp on the program and the progression it should take to truly have my students behaving and thinking like artists.  The timing of “The 10” was the final piece of the puzzle that finally fell into place.

 

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Example of “The 10: Nature Packet”

 

TAB, Modified TAB, and Other TABby things

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TAB is a huge buzzword these days. I see it thrown around in many Facebook groups. But what is TAB exactly? TAB is an acronym for Teaching for Artistic Behavior. It is a philosophy that has three core values. It asks “What do Artists do?” It believes the child is the artist. And, it believes the art room is her/his studio. It is these three ideas that drive a TAB teacher’s curriculum…how they run their studio.

That brings me to my next topic, Modified TAB. This isn’t really a thing. A teacher either believes in the philosophy or doesn’t. They don’t really pick and choose which of the values they want to believe. What confuses people is the misunderstanding that being a TAB teacher means you are balls to the wall full choice, all day long. Like I said…this is a misconception of the philosophy. When running a TAB studio, no matter the level, there is a spectrum of choice. The amount of choice a teacher will allow has several variables.

  • Campus/district expectations
    • Some teachers are expected to do x, y, and z. And most of us do like to be in compliance.
  • How “on board” a principal is with the change in the art program.
  • Bootcamp vs studio time
    • bootcamps are short amounts of time where the full class will explore a specific topic such as acrylic paints and color theory or copyright. Bootcamps should last a few days to a week tops. Studio time is where the students create their artwork.
  • Needs of the child
    • Each child is different in their learning styles and how comfortable they are with freedom. TAB is differentiation at its best.
  • Have to’s
    • There are certain things that teachers believe every student needs to know. This could be doing an attachment test to be able to use the sculpture center or biweekly drawing tests that have kids focus on the eye/brain/hand connection.
  • Teacher comfortability with giving up control.

Basically, a TAB teacher utilitizes varying degrees of choice throughout the year, for various reasons. But, they don’t utilize varying degrees of the philosophy.

Teaching in a “TAB-like” way isn’t a thing, but using varying levels of choice is. You can offer choice without being TAB, but you can’t be TAB without offering choice. You are a TAB teacher or you are not. There is not a formula as to how to run a TAB studio. There are as many ways to run the studio as there are TAB teachers. That’s the beauty of it. Believe the philosophy and do what works for you, your population, and your admin…as long as you have student Artistic autonomy as a goal for your students.

For more information about Teaching for Artistic Behavior, visit teachingforartisticbehavior.org

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A High School TAB studio with multiple mediums being worked on at the same time.

2018 Texas TAB Lab

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One would think that by now I would be sitting in the sun, sipping margaritas and enjoying my summer.  One would think that if one didn’t know me.  I have 2 kids and the Texas sun is way to hot to sit under all day.  Now sipping margaritas…that’s another story for another day.

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My third week off for summer was spent doing some very important and exciting professional development–the Texas TAB Lab (#TxTABLab).  Lori Wallace and Julie Bates20180613_0938451693010827.jpg honored me months ago by asking me to help out with this year’s mini-conference, by heading up the secondary portion of the conference.  This year was our second event.  At our first meet-up, there were about 30 of us tops in this small conference room in a hotel in Waco, TX.  Ginger Tapia set the whole thing up and it was wonderful.  It was there that an event was born.  This year, TAB Lab was definitely the place to be, as we more than doubled the attendance with 67 teachers.  And, I am happy to say that the secondary peeps went from about 7 or 8 to almost 20.  It’s a good time to be a Tx TAB teacher.

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Let’s get to it.  Our main meeting hall was the Frank Fickett Center  (FFSTC).  The hotel suggested it because the conference room was not going to hold us all.  It was a wonderful space to be in for 2 days.  The conference kicked off with one of our keynote speakers, Katherine Douglas.  She was unable to make it to Austin, so she spoke via interwebs.  Among the many fabulous things Kathy spoke of, she told us in regards to child art that “adult eyes need to learn appreciation for it”.  She also shared her 7 goals for her TAB studio and her students.

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  2. Get materials and tools to explore idea
  3. Explore/Make idea, with false starts, change directions, mistakes
  4. Know when it’s finished
  5. Put away materials/tools properly
  6. Reflect/Share ideas
  7. Think about what’s next

Thank you Kathy so much for joining us.

That afternoon we went to visit some classrooms.  The elementary teachers broke into 2 groups–visiting both Julie’s and Lori’s classrooms in Pflugerville.  The secondary teachers made the long drive to Taylor to visit my classroom.  I am so happy they made the journey.  In spite of the 80+° room temp, it was an amazing experience.  I talked briefly about my journey, then we toured my room and how it was set up.  We talked about daily activities and classroom flow.  There was much conversation…conversation that lasted well past when I thought we would leave.

 

We went to dinner at Rudy’s BBQ and went back to the FFSCT for some more art chat and some Paper Smaché with the one and only Clyde Gaw.  Paper smaché is like paper maché, but Clyd-i-fied.

 

Our second day opened up with our second keynote speaker, Clyde Gaw.  I bet you thought he was just here for Smaché.   He was also here for the cardboard. In 20180613_092720-1358794459.jpghis presentation, he told us of his journey–his life journey–from the train tracks by where he grew up to his current job as a high school TAB teacher in Indiana.  It was interesting to me to hear how and when he met people I know (or know of), like Clark Fralick, Diane Jacquith, Kathy, NanHathaway, and John Crowe.  My biggest take away from Clyde that morning was the rhizome.  He likened things to it and called us rhizomatic. (def 1 def 2).  If you were’t at TAB Lab, but you are meeting up with Clyde at some other TAB event this summer, I’m sure he’ll talk about it.

 

The rest of the day included a working lunch, small group sessions, mini-presentations from attendees and 2 guest speakers, Priscilla Lamb and Manuel Gamez.  Priscella presented on Autism and Special Ed.  Manuel is the Fine Arts Director for PfISD.  It was interesting to hear the perspective of a non-teacher, someone in admin.  He very much supports the arts and really likes TAB.  Bonus for Lori and Julie. We ended the day with some gelli printing with Lori and some faux screen printing led by yours truly.  Unfortunately, after testing the screen the night before, I didn’t wash it fully and the prints weren’t as clean as I would have liked.  But, my fellow teachers were cool with it and didn’t complain.

 

After dinner, many of us met back at the hotel conference room and had some cookies, milk, chat, and arting.  It was a fun way to end the day.

 

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Friday was our last day and Lori had set up a great activity at Austin Creative Reuse.  ACR is a store that is supplied by donations.  It is a TAB teacher’s dream.  Well, and it’s the dream of artists and crafters and people that are into reuse.  We met in the classroom at ACR and split into 2 groups.  Those with the late birthdays went to the store first.  I have already been to ACR, so I knew what was up.  The others were new and were in amazement.  After shopping time, we went back and we participated in what was essentially like “Chopped”, but with art materials. We worked in groups of 4/5.  We were given a theme of “represent”.  And we went from there.  I was fortunate to get with a group where we all just flowed and worked well together.  Our sculpture was called “Bond”.

 

All in all it was a fabulous conference.  I am so glad that I was able to go and that I was enable to pass on my knowledge to others.  I know that I didn’t provide much of what I learned at Tx TAB Lab, but if you are curious as to what was shared, visit out Padlet.  It has links to almost everything.  I look forward to next year when I hope we go even bigger…it is Texas after all…Go Big or Go Home!  Until then, I have Facebook to be able to talk to my new TAB friends.

 

The 2017-18 School Year in Review

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Another school year has come to a close.  That makes 11 for me.  The 2017-18 school year was a good year for me.  I had a couple of bumps in the road–that one student who felt she no longer needed to be here (luckily she is still here ♥) and the whole grading issue with me not being in compliance.  Overall, it was a fun and happy year.  So, without further ado, let’s take a look back and see what went down.

⇒ I entered 3 students this year into Scholastic Art and Writing.  We didn’t get any awards or even mentions, but I am proud that I was able to enter the work of these 3 young women.  I think we were robbed, but life goes on, right.

⇒ I was honored when Diane Jacquith and Kathy Douglas asked me to have a small part in the 2nd edition of their book, Engaging Learners Through Artmaking.  I speak of how I include current artists in my curriculum through an activity called Artist Monday.  Students watch a short video and then answer some questions about the artist and what they create.  Artists are always current, and many create art in ways that go beyond the traditional ways my students know about art making.

⇒I took my upper ceramic students on a field trip…on a Saturday!  It was so much fun.  We went to the Texas Clay Festival in Gruene, TX.  My students got to see a woman who was burnishing a pot and talking about terra sigillata.  They saw a variety of artists and got to see what people would be willing to pay for ceramics.  And, they got to watch a raku firing.  I am so glad that we went.  The fact that they were willing to give up a Saturday to go on a field trip was tremendous.  I hope to make this a yearly activity.

⇒ Seattle 2018.  This year’s NAEA conference was in Seattle.  I was lucky to be able to present not once, but twice at this year’s conference.  And bonus for me, both were with my very good friend and amazing TAB teacher, Elizabeth Honeysett.  We presented on Single Media and the TAB Classroom.  Liz talked about her jewelry classes and I talked about my ceramics classes.  We also did a ticketed event–The Secondary Choice Demo Room.  This was extra fun for me because I got to see adults make art.   Seattle was a blast.

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⇒ Restorative Discipline was brought into my school in the 2016-17 school year.  Each year they train a small amount of teachers.  I was lucky to be asked to be part of the 2017-18 cohort (cohort 2).  I really like restorative discipline because it focuses on relationships and community building.  It stresses being proactive instead of being reactive.  It was a great fit for me because I am all about relationships and community in my classroom.  We had many trainings throughout the year, which kept me always reflecting on my teaching.  I reflect anyways, but the reflections from the RD perspective made me think about things I sometimes gloss over.

⇒ RD brought the academic circle into my teaching practice.  In RD, there are many types of circle activities you can do with your students and the academic circle is one I really liked.  I utilized it in my ceramics classes.  There had been a disconnect between what my students researched on a artistic behavior and the art making that went along with it.  The academic circle filled the gap.  It allowed me to check what my students learned on their own. It allowed my students to share and connect with each other.  It allowed for questions.  It allowed for students to see ceramic art their peers were drawn to.  And, it helped to clarify the big idea for the students before they moved to the creation of their work.

⇒ I applied for a grant and was award it!  In our community, there is a Screen Shot 2018-05-27 at 11.42.27 AMfoundation called the Taylor Educational Enrichment Foundation (TEE) that offers thousands of dollars in grants annually.  I finally got the courage to write a grant proposal for a raku kiln kit.  When the day finallyarrived when we would find out who would be awarded, I’ll admit, I was nervous.  I heard the band and the cheerleaders coming down the hall.  I kept hoping they were coming to me and not going to walk on by.  My principal ducked his head into my office and told me to come out into the hallway.  I was so excited.  I was dancing around my classroom.  I have since ordered and received the kit and I can’t wait to set it up and teach my students how to raku this fall.

⇒For a few years, I make and gift some special seniors a piece of “Duck Art” pottery.  It started when some seniors bugged the crap out of me for cereal bowls.  So, as an end of year gift, I made bowls and gave them each one.  On the inside of the bowl, there was a duck.  The next year the seniors weren’t into cereal so much as they were coffee.  So, the image was transferred to a mug.  Each year, the duck image changed, but the sentiment was the same.  I made X# of mugs–all similar in shape, color, and image–and handed them out to the lucky ones I had forged relationships with.  This year, I wanted something different.  I really don’t like being a production potter.  I don’t like making the same thing over and over.  I decided to make each mug different and glaze each mug different.  The only thing that was my thru-line was the Duck Art medallion I made.  I made a sprig, which was a good lesson for the students, and went from there.  At the end, the students got to pick which mug they wanted according to their tastes and what fit well in their hands.  This has become the new and final senior Duck Art Mug.

 

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The Duck Art Mug!!

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The lefties

Those are really the bigs things that happened this year.  Like I said, it was a good year.  I made some stronger relationships with both students and colleagues.  I am sad that my ceramics seniors are gone.  They were a great group of kids.  But, I am excited for those returning next year.  I learned a lot about my teaching and how I want to move forward.  I really understand the end goal I have for my students–both those that will be with me for a year and those that will continue on.  I have worked hard (and continue to) on how to help my students meet those goals.  I have much in store for next year…I hope to implement “the 9”, courtesy of Ian Sands, with my art 1 class.  I have taken the 9 and created my own version–“the 10”–which is geared for my upper ceramics kiddos.  And, our principal decided to split the AP Studio art program between my co-worker and myself…so that will be interesting.  I am happy with my 11th year, and I look forward to another fun-filled TAB-tastic year in the Duck Art Studio.  But, until then, I will relax and enjoy my summer.

Artists Curate

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This unit was something I have been wanting to have my art students do for some time, but it never seemed to be the right time.  Well, in January of 2018, I looked at my art 2 students and decided this was the group that could pull it off.  And, I was right.  While not every student hit it out of the park, most did…in one way or another.

This was my final unit for my art 2 students.  We spend over 6 weeks working.  It will also double as their final exam.  Here is the information students were given about the curation of a show.  They were given a few days to figure out what they wanted to do, then they jumped into the work.

This unit was amazing.  Most students decided to curate a show of their own new work.  I’ve never seen so many of my students jump in and work constantly–walking in the room and getting right to work.  They were passionate about what they were creating because it was all them…I had no say in what they could create.  They came up with their own themes for their shows, and figured out what type of create to meet that theme.  One group of 3 boys had originally decided to curate past work they had made, but out of no where began to collaborate on a large panel piece of a dragon in space.  I was thrilled by how well they worked together.

About a week prior to the hang, they made flyers to advertise their shows.  They hung copies in different areas of the school and we added information to the cafeteria announcement slides.

Finally the day came to hang their show.  I gave them some pointers on how to hang their art on the walls of the student centers, and then let them go.  In addition to hanging their pieces, they added labels and a show/artist statement.  They all look so fabulous.   I am so proud of my students.  And, the comments from others around the school have all been so positive.  I know my students are proud of their work.  I can tell, even if they won’t admit it to me.

The show will be up for a week, and on it’s final day we will have a closing reception with some small snacks, drinks, and a “guest book” for each student that people can sign.  Next week, I will meet with each student individually to talk about their curation experience and together we will decide on a grade for their exam.

I am really glad that I finally was able to do a unit like this.  I really like to show off what my students create, but usually it just gets hung in the fine arts hallway.  It really showcases the students and their talents.

Exploring a Medium and Multiple Pieces

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One aspect of a TAB classroom that gets criticized is when we allow our students to explore the same medium over and over and over.  Critics often think this is wrong that we TAB teachers don’t expose our students to a variety of media by making them do different projects based on different materials.  Unfortunately, this is not how artists work.  Yes, some artists work in several mediums…Picasso and Degas come to mind. Both painted and sculpted.  But, they came to other mediums because they wanted to explore, not because someone else told them to.  I am sure they were aware of other mediums, but they preferred what they preferred.  We do the same for our students.  They are aware of other mediums, but ultimately, they should work in the medium they prefer or what they feel is best to convey their idea.

On Mondays, I introduce my students to contemporary artists.  I want them to know what is being made in today’s art world.  While deciding on artists to have them meet, I found 2 artists that reinforce this idea exploring the same medium over and over.  First is El Anatsui.  Second is Elisabeth Higgins O’Connor.  I have included clips from both these artists.  If you click on their names, you can find the entire video.  Neither of these clips are about the art they make, but rather the message they are sending.

When we let our students continue to explore the same medium, they will begin to understand what it can offer.  They can push the boundaries of the medium.  They will understand what it means to research in an artistic sense.  They will behave like artists.