Tag Archives: choice-based art

TAB: A Philosophy with a Choice Continuum

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Lately, I’ve been seeing the phrase “I’m not full TAB”, or something similar to that.  And to be honest, at first I would kind of roll my eyes and move on. But then as I started to see it more and more, I thought that maybe some people don’t quite know or understand that TAB is a philosophy with a choice continuum. 

What do artists do? You are the artist. This room is your studio.
Signage from Clyde Gaw’s TAB classroom.

Over the years, there have been many conversations about TAB vs modified TAB / “not full TAB”. And, in the end, the same conclusion ensued–there isn’t really modified/not-full TAB. That would infer that not all 3 core tenets are followed when setting up the program. And asking, which one(s) are you leaving out?

What do I mean by that? Well, TAB (Teaching for Artistic Behavior) is a philosophy that follows 3 core tenants. It asks What do artists do? It believes the child is the artist. And it believes the classroom is their studio.  To put it more simply, as Ian Sands would say, it’s about Making Artists.  The end goal should be helping/teaching our students to behave and think like artists. Obviously there is much more to it, I mean there are many books written about it and have been several theses written about TAB as well. But that would be a longer post for a different day.

How you achieve the end goal of “Making Artists” is the methodology.  And that is where the continuum comes in. TAB teachers offer levels of choice for this.  Good TAB teachers will vary the level of choice on a number of factors, including the individual needs of the students is one of those factors. In fact, there may be varying levels of choice within the same class period, and it can fluctuate over time going from more choice to less choice and back again.  TAB is student-centered after all. I wrote another blog post that includes some reasons why you would vary the level of choice. Below is an image that displays the continuum of choice that can be offered, and there is a time for each level, including teacher directed, although that should probably be employed the least in a TAB practice.

continuum of choice chart by Diane Jaquith
Douglas, K. and Jaquith, D., 2018. Engaging Learners Through Artmaking. 2nd ed. New York: Teachers College Press, p.21.

In the end, if you believe in the philosophy and you arrange your program with the goal of making artists/teaching to think and behave like artists, you are a TAB teacher. What you modify is the amount of choice. And that will change as you learn about your student population and their needs, and it will vary from class to class, and student to student. At some point, students will be 100% self-directed, and that’s a beautiful thing.

Corona and Remote Teaching

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I see it has been over 2 months since my last post. And, quite frankly, I’m not surprised. I had some ideas in the works for new posts on the exciting stuff and things happening in the Duck Art Room since January, but then Corona hit, and my spirits plummeted.

I tried with all I had in me to look the “new normal” in the eye and take it on. And by new normal, I mean remote teaching or distance learning or “homeschooling” 🙄🙄🙄. (Don’t get me started on how none of this is homeschooling. I know people that homeschool for a living, and this is not it folks. But I digress.) It was hard. I wanted to be the best teacher I could be, but in truth, I wanted to just paint and drink coffee and play with clay. And I’ve done all that. In fact, by the end of this, I will have a full kiln load of just stuff I made.

One week away from school turned to two weeks; then to three weeks. And now, I’m pretty sure we won’t be back this school year. And at this point, while I want to see all my kids more than anything, I don’t know how we could make the switch one more time with 7 weeks (in my district anyway) of school left — 3 of which we are definitely out for Shelter-In-Place orders.

My district has been remote teaching/distance learning for 3 weeks now. I feel it has all been one big trial and error session. My district finally came to a decision about grading and GPA and class rank–which for those of you who teach high school know that these things are currently important in the world of education and higher education. I won’t go into everything, but we are going to a pass/fail system for the second marking period of the 2019-20 school year. Grades will be assigned with “prominent emphasis on completion and effort”. So, that sounds good right. It sounds as about as equitable as they can get. We are trying very hard to make sure we can meet accommodations and reach students without internet and give grace to those struggling with home issues (siblings, work, etc.) that affect them being able to do school work. Could more be done? Probably. But I know we are trying.

What does this all have to do with Art and Teaching for Artistic Behavior and Duck Art? A lot actually. I said that my spirits had plummeted, and that included my spirit for facilitating meaningful art making situations for my students. Instead, I assigned what I felt was going to be the easiest thing for me to do. Currently, I have about 50-65% participation from my students–some do all of it, most pick and choose and turn in a thing here or a thing there. It made me sad to say the least. I was missing seeing my kids make and create and all those other things that go with being artists.

Earlier this week, I was looking at Facebook, like all who are at home do, and I finally clicked on my friend Melissa Purtee’s post about what she was doing remotely with her kids, and it sparked something in me. I was then reminded of a post another friend had put in the main TAB Facebook group about not forgetting our purpose as TAB teachers–those 3 main tenets of the philosophy. I knew I had to change what I was doing. I couldn’t sustain it anyway. So, I borrowed from Melissa, as she so graciously lets us do, and made a new website for my students–all of my students, no matter the level or the class type. It gives them choice. It lets them decided how to spend their time during the week–instead of a daily assignment, they know what they need to do for the week on Monday and can plan their schedule to meet their needs. It makes them think and decide and research and plan and all those behaviors we have been talking and learning about for months or years. I have full belief in my students and I am hoping that it is what is right for them, and for their situations. I hope they can see art making not as a thing they have to do, but they want to do–because the freedom is in their hands now.

I’ll leave you with this. I’m not sure how I feel about our “New Normal”. I just hope I am bringing a sense of comfort to my students thru art and choice as we navigate this together.

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Click image for website

TAB, Modified TAB, and Other TABby things

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TAB is a huge buzzword these days. I see it thrown around in many Facebook groups. But what is TAB exactly? TAB is an acronym for Teaching for Artistic Behavior. It is a philosophy that has three core values. It asks “What do Artists do?” It believes the child is the artist. And, it believes the art room is her/his studio. It is these three ideas that drive a TAB teacher’s curriculum…how they run their studio.

That brings me to my next topic, Modified TAB. This isn’t really a thing. A teacher either believes in the philosophy or doesn’t. They don’t really pick and choose which of the values they want to believe. What confuses people is the misunderstanding that being a TAB teacher means you are balls to the wall full choice, all day long. Like I said…this is a misconception of the philosophy. When running a TAB studio, no matter the level, there is a spectrum of choice. The amount of choice a teacher will allow has several variables.

  • Campus/district expectations
    • Some teachers are expected to do x, y, and z. And most of us do like to be in compliance.
  • How “on board” a principal is with the change in the art program.
  • Bootcamp vs studio time
    • bootcamps are short amounts of time where the full class will explore a specific topic such as acrylic paints and color theory or copyright. Bootcamps should last a few days to a week tops. Studio time is where the students create their artwork.
  • Needs of the child
    • Each child is different in their learning styles and how comfortable they are with freedom. TAB is differentiation at its best.
  • Have to’s
    • There are certain things that teachers believe every student needs to know. This could be doing an attachment test to be able to use the sculpture center or biweekly drawing tests that have kids focus on the eye/brain/hand connection.
  • Teacher comfortability with giving up control.

Basically, a TAB teacher utilitizes varying degrees of choice throughout the year, for various reasons. But, they don’t utilize varying degrees of the philosophy.

Teaching in a “TAB-like” way isn’t a thing, but using varying levels of choice is. You can offer choice without being TAB, but you can’t be TAB without offering choice. You are a TAB teacher or you are not. There is not a formula as to how to run a TAB studio. There are as many ways to run the studio as there are TAB teachers. That’s the beauty of it. Believe the philosophy and do what works for you, your population, and your admin…as long as you have student Artistic autonomy as a goal for your students.

For more information about Teaching for Artistic Behavior, visit teachingforartisticbehavior.org

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A High School TAB studio with multiple mediums being worked on at the same time.

TAB vs Choice

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As TAB (Teaching FOR Artistic Behavior ) and Choice both gain traction in art rooms across the country, I have been reading more and more posts on various Facebook Groups about teachers’ experiences, questions, queries, and various other complaints.  One thing that I have been noticing lately is that some people think TAB and Choice are one in the same and they are interchangeable…like tissue and Kleenex or Xerox and  a photocopier.  I am writing this post to say they are not the same.  I am going to be short and sweet, and get right to it.

While they have similarities and while there is much choice in a TAB classroom, just because a teacher offers choice in his/her classroom, it doesn’t make her or him a TAB teacher.

What makes TAB different from choice is the purpose of what is being taught.  It is not about letting students choose what materials to use in an artwork.  It is about teaching students how to think.  It is about teaching an understanding of the artistic process and the design process, AND about how to use them.  It is about letting the students be the artists, letting them make the decisions, and letting them fail and figure out how to grow/move on from there.

And, while sometimes a TAB teacher may set limitations such as theme or a big idea or what stations are open, the student is still the main artist.  The student is the one who interprets things, does the research, does the exploration, creates the artworks, reflects, revises, and then decides when it is finished, and even it is successful.

Offering your students some choices, but still not letting them actually drive the boat doesn’t mean you are TAB.  If you don’t have those thinking and behaving goals in mind for you students, you aren’t TAB, yet.

Now, this isn’t to say that you can’t become TAB.   And, I am not trying to exclude anyone who is TAB interested.  I think it would be wonderful to have as many TAB teachers as possible teaching and leading our students.  That would be, as they say, amazeballs.  But, I also feel that if the pedagogy is going to spread, what is and what isn’t TAB should be understood.  TAB is not something you can decide to do on a whim.  You need to do your research on it.  You need to do your homework.  And, the site I linked above, and again now (TAB) is a good place to start.  I also recommend the book Engaging Learners Through Artmaking by Katherine Douglas and Diane Jaquith, and the eBook  Choice without Chaos by Anne Bedrick.  These are great books.  Coming soon is a book called The Open Artroom by Melissa Purtee and Ian Sands (I think that is their title.)  This book will be geared towards secondary art TAB teachers.

I do hope you will join us on this wonderful journey of helping students navigate the road to becoming artists.  The more the merrier.

 

NAEA 17: New York City Reflections

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When I arrived in the city, it had been too long…almost 7 years….and so much had changed.  Even though I had lived in the city for many years, I had never actually stayed in Manhattan, so I was pretty psyched for that.  And, to stay in midtown…oh the excitement. I arrived at JFK, and took the airtrain to the subway to get to our hotel.  The first thing we did that day was check into the conference so I could get my badge and the bag of crap that I didn’t need or want.  I mean really, who needs a paper-thin bag full of magazines and other things that weren’t eco-friendly.  Unfortunately, I had to carry that around for the rest of the afternoon, but I digress.

imag9930.jpg    We then headed over to the MOMA.  I was a little bummed that I didn’t get a discount with my badge like I did last year in Chicago. (And if I was supposed to…. ::sad face::) But, no big deal…the MOMA was fantastic.  I hadn’t been to the museum since it was in its old location, many moons ago.  The new location is great, and so much bigger.  I am a fan of modern art, so I really enjoyed this visit.  It even sparked a discussion between my friend and fellow TABber, Hillary, about craftsmanship.  We were both noticing the same things about the paintings and sculptures of famous artists; things that made us question why we ask our students to paint/color/draw a certain way when these artists wouldn’t pass that “craftsmanship poster” that is floating around.  We are in the midst of discussion of a proposal about it for Seattle…

That evening we ate Mexican outside.  Made me long for the days I lived in the city.  I am glad we had a chance to eat outside because this would be the almost the last time we could…thanks Obama for inventing global warming.  It turned imag9974.jpgwicked cold while we were there.  This Texan implant wasn’t having it.  Anyway, that night we went to Times Square.  Man, totally not the same as I remembered.  When did it turn into a 24-hour sunlight extravaganza?!

Enough about all that touristy stuff.  I really should be writing about the conference and sessions and all that artsy stuff. Thursday morning started off as a dud.  We went to the first general session, which was the keynote speaker, Jeff Koons.  Boring.  I don’t like his work, and I find he is so boring to listen to.  He was quiet toned and just wasn’t what an estimated crowd of 7000 members needed to jump-start their conference.  We left.  If only Tim Gunn could come and speak again….

Over the next three days I went to several sessions on TAB/choice. img_20170316_173427.jpgTwo were by 2 different men, both with wicked cool mustaches.  In fact, I scribbled their mustaches in my notes.  Both men were interesting and full of information that I already knew.  I guess that is what happens as you move up the high school TAB ladder.  One thing that I did take away from Andrew McKee’s (red mustache) presentation was the “style book”.  It’s basically a place to save ideas, get ideas of what they like, are into, etc.  So the students can pull from that when they create their work.  I mean I have my Pinterest page that I refer to often when I create my work, but I don’t “require” my students to do that.  I think it might be helpful to incorporate something like this in my art 2 classes next year…and also maybe my ceramics classes.

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I went to a very interesting Raku session, which of course now has me wanting to write a grant for a raku kiln.  Thursday afternoon I went to an MCAD session on drawing as thinking.  We basically spent the 50 minute session doing a bunch of drawing warm-ups. It was a nice break, and it left me with some great exercises to bring into my classes next year as we move into block schedule.

The rest of my session were, like I stated above, choice/TAB sessions.  While the sessions were fabulous, (I’m looking at you Cynthia Gaub, Joy Schulz, and Melissa Purtee), I felt a little empty.  And, it’s nothing against my colleagues.  I am just looking for something more…something more than what I already know and am 100% agreement with.  I am looking for more than an intro to what TAB/choice is. I want something for those of us who have been doing it a while.  I hope that makes sense.  I did have an “a-ha moment” during Joy’s session.  For years, I thought Joy had this magical way of pulling greatness from her students.  After sitting through her session, I get it now.  She is so organized and her analytical side really affects how she works with her students.

The final session I want to talk about was a super-session.  It starred Katherine Douglas, Anne Thulson, Sharif Bey, and Olivia Gude.  It was amazing.  These four leaders really hit it out of the park.

These were my lasting thoughts from the session:

~Do we intervene: how, where, when, why, how much (OG)
~concept=something we use; not something to possess (OG)
~2 sentence curriculum: what do artists do? the child is the artist (KD)
~art supplies are materials; concepts are materials (can’t remember if this was OG, I think so)
~How do we keep students in that magical place as they get older? (OG)
~we have the capacity to exist in many art worlds (OG) [personally for me, this meant a lot]
~Sometimes LESS can be liberating (OG)
~We’re getting lost….ON PURPOSE (OG)

I know it seems that Olivia gave me much to think about, but Kathy always gives me much to think about…I wouldn’t be here without her.  Anne gave an activity to try for next year when we talk about “artists observe”.  It will get my students out of my classroom and really looking at the small, mundane details around them.  And Sharif…oh Sharif….we are kindred souls and I think we should totally hang out.

imag9999.jpgWhile I enjoyed the sessions I went to, I did think the selection, for me anyway, was limited.  I don’t understand how imag9987_1.jpgsessions are selected.  I don’t understand how they choose to schedule which ones and when.  I also don’t understand why so few TAB/choice sessions are offered, when clearly, year after year, the sessions offered are packed–which was another downside to conference in NYC…small rooms…or at least those rooms that held popular topics were small.  And, rooms that held research sessions (no offense to research) were in these huge rooms with few attendees.  And when I say TAB sessions were packed, I mean, way over room/safety capacity, on the floor seating, out the door, room temp went up 15 degrees packed.  NAEA needs to work on this.  It is just ridiculous.  I pay a lot of money, out-of-pocket, to attend the national conference.  I want to get my money’s worth.

imag0028.jpgMy favorite part of the conference is always the part where I get to see and hang out with my TAB/Choice mentors, colleagues, and friends.  I even got to meet some new friends whom I have only seen on the interwebs.  I want to thank Kathy and Diane for setting up the amazing dinner we had Friday night.  And, thanks Diane for making me not sit with Hillary and Liz.  It was fabulous to get to chat with Melissa, Joy,Cynthia, and Anne for a while.  Spending time with those that get it, and get me, is always a good time.

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I hope to make it to Seattle next year.  Cynthia promises it will be a fabulous time.  So, hopefully, at least one of the sessions I propose or co-propose will be accepted.  And, maybe someone will help me write a grant and/or convince my school to pay for it…I just can’t afford another year.

Artists Observe

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This will be the first in a series of several posts about the units and activities my art 1 students are participating in to get a good grasp on the artistic behaviors.  Last year my art 1 students went through an “artistic behaviors bootcamp“.  After going back and looking at what we had done, I felt it was too fast and there wasn’t enough depth to each behavior. We spent a day or two on each behavior, but it was like we just glossed over the behaviors and my students never really understood them.

This year, I am spending a week or more on each behavior.  We are doing activities that focus on the behavior, while building skills in various media and techniques.  I think this will be a better solution.  The students may not be making as many finished artworks at the moment, but that will come when second semester rolls around and the studio is really much more open.

Our first behavior that we focused on was “Artists Observe”.  I found a powerpoint at Ian Sands’ Art of South B page that was perfect for what I wanted students to do.  The week was split into 3 activites.  First students created mindmaps/had class discussions of what they like to observe and what kinds of things artists would look at when observing something. They then moved onto a 3-day sketching activity, where they learned sketching techniques and sketched from life.

Our second activity included learning to shade and a group activity, originating from Melissa Purtee, where students would get into groups of 3-4 and together create a large shaded sphere.  It was very cool to watch the students work together, within the time frame, and figure out how to make values darker and to replicate the sphere I demo’d for them.

Our final activity brought the students in the world of 3-D.  We spent our final day doing the Tantamounter.  Faculty lent items that the students replicated in an artful way.  They had to make decisions, work in small groups, and create a copy of the original item.  They had a 30 minute time limit to complete their piece.

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After the weekend, students came back on Monday and spent the day reflecting on our unit.  We went into the hallway and discussed the spheres they had created, looking critically at the spheres and trying to take non-objective judgement out.  They added tiles to their BlendSpace lessons, reflecting on what artists observe means and how the activities we did correlate to the unit idea.  They also reflected on what they learned from our unit activities.

The rest of the week will be spent on building some color drawing skills before we move on to another artistic behavior unit.

2 Weeks of Exhausting Fun

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September is finally here, and for me, it marks having the first 2 weeks of school in the books.  It’s been exhausting and I have had to stop my personal exercise regime because of it. BUT, it has been so worth it.  My new (and returning) students and I have had a blast and have rocked it.

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I don’t like to start off the school year in a traditional way.  I like to have my students jump right in and get busy getting messy.  On our first day, we had 20 minute classes, and I was required by my admin to go over certain things during certain periods.  But, that did leave me time to show a small video to hopefully get my kids thinking about my class and art making in a different fashion.

Over the summer, or maybe it was last year, I found this video by artist and motivational speaker, Erik Wahl.  I thought it was perfect for some first day inspiration.

 

The next two weeks were spent doing not one, but two community projects.  First my students prepped, and installed our own Unity Project.  The welding students cut down steal tubing to use as our braces.  My students painted 7′-6″ PVC poles black, and they balled up miles of yarn.  Once the set-up was complete, they began to add their voices, by choosing the identifiers that represented them, then bringing it to life with yarn on the installation.  (I will write more about the Unity Project in another post once it is complete.)
 

Once we were finished with our part in the Unity Project, it was time to play with some clay. I like to start the year working with clay.  The majority of kids like clay, and it gives them some time to get to know me and each other without much pressure.  I use this time to teach some basic clay skills–slab draping, scoring/slipping and other surface treatment techniques, and to have the kids give back to their community.  This is the one piece the students will make this year that they aren’t allowed to keep.  I do ask all my students to create a bowl for out Duck Art Club’s charity fundraiser–Empty Bowls.

Next week, we will finish up our bowls, then move onto exploring the artistic behaviors that are essential to my classes.  I hope my students keep enjoying art class and continue to knock it out of the part when it comes to my expectations as the weeks, semester, and year continues.

The “No-Grade Challenge”

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Sounds interesting, right?  Well, my good friend Ian Sands nominated me earlier this summer to go “no-grades” this year.  And, after much consideration, I have accepted his challenge…well, mostly. There is no way at the high school level, with the GPA reward system we have going in America right now, that I can not grade. My kids need to have some numerical grade…for UIL purposes (pass to play), for college applications, and for the “ever important” class rank–which if you live in the great state of Texas like me, it is important to those kids in the top 10% (or for some colleges like UT–Hook “Em!!–it’s the top 7 or 8%) for automatic admission to state schools.

Anyway, I have accepted his challenge and plan on grading as little as possible this year.  I know I am pushing it, and it my admin gets wiff of it, I may be up sh*ts creek. But, if I am going to start a change and get people talking and thinking about change in the grading arena and the education realm, I need to start somewhere.

Now, don’t confuse what I am doing in so far as grading with what I am doing in terms of assessment.  THEY ARE NOT THE SAME THING!!  And, you better believe that I am going to assess the hell out of my students.  In fact, together we, my students and I, will asses their learning and growth like there is no tomorrow.  It will mostly be informal and occur through dialogue between us–the students and myself.  And, that is what an ideal classroom, at least in my opinion, should be like.  It should be about growth and understanding how to think and move forward in the thinking.  And, in order to do that, things need to be assessed.  Grades have no part in that.

Now comes the part where you say, but how will you do that?   You have to grade.  Why not put numbers to your assessment levels?  Then you can be in compliance and all that jazz.  I answer you with, I’ve done that.  And it works well, but I feel it is truly not a good showing of what a student in my studio has learned or how they have grown artistically–either in skill or thinking or both.  It doesn’t really show growth over time.

Last year I read the book “Hacking Assessment” and I have taken a few things from the book about assessment, like having conferences with the kids and letting them be part of the conversation.  I also went to a fabulous session at NAEA-Chicago with Justin Clumpner who at one point talked about grades and what they mean to each individual student.  I think at one point he even said, I ask the kids what grade they want. Those things really resonate with me right now.  Students need to be involved in their assessment of their learning.  It is a 2-way street.

Now, if you know anything about the program I run, I like to have my kids reflect on their learning and their journey.  We have done that through blogs and, more recently, BlendSpace.  So, it occurred to me, why not combine all these things and thus my answer to the “no-grade challenge” was formed.

I do have to have at least a grade every 3 weeks…one a progress report time and one at report card time.  (Technically I am supposed to have more, but don’t tell my admin, okay?) My plan is to have my students reflect on their learning and art making processes to help them determine their grade for that time frame.  Of course, I have final say if I feel they have either graded too high or way too low.  But, I think this will help shift the focus away from grading and back onto their learning, which is what it’s about….or should be. (Do I say that a lot, because I feel I do.)

Here are some screen shot of the google form they will fill out for this reflection process.

 

Will this work?  I don’t know.  Will it need to be tweaked?  I am sure.  What document is perfect from the get go?  I am confident in what I am about to embark on. I think that it will make a difference; a difference even bigger than when I stopped grading artwork and focused on the processes only.  Keep your eyes out for updates as the year progresses.  And who know, maybe soon you too will also be up for the challenge.

Top 9: 2015-16 Year in Review

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It’s been a week since the 2015-16 school year ended.  I have taken a week off from doing any work, but it is now time to take a moment to reflect on the year. And, what better way to do that than to do a top 10, well, a top 9…close enough. Normally, a top 10 would only be the best things, but I thought I would add some of the not-so-good as well.  I mean, we all like things to be puppies and rainbows all the time, but let’s get real folks…it ain’t.

9. New Ceramics Curriculum…or should I say lack there of.  I decided to go balls to the wall and go full-on TAB with my ceramics students.  This is the last year I will have had any students that were part of my sculpture program–from before I made the switch to “all clay, all day”.  And, if you were to walk into that intermediate/advanced class, you could tell which kids those were.  But, I digress.  For the most part, for my intermediate and my advanced students, they were given complete freedom.  They were allowed to work on what they wanted, in the time frame they needed.  I did have some themes with guiding questions to help them if they were stumped, but they were in no way “forced” to follow those themes. If you are wondering how to do a single-media TAB class….read this!

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The Ceramics Graveyard and Senior Totems Sculpture Garden at THS

I think this was a great decision.  It allowed the students to move at their pace and do what interested them.  Are there some kinks to work out concerning the structure of the class? Of course.  I plan on doing a “Technique Tuesday” type of thing.  I will have a demo day once a week to show different things they could use in their work, like sprigs and molds and glazing techniques.  I also am revamping their technical reader and going to incorporate that more into the class.

8. Braeden, The Beginning Ceramics Student Who Learned More Than Me.  I was fortunate enough to have that student this year that many teachers dream of having.  That student who falls in love with your subject matter so much, that he or she just becomes a sponge and soaks up everything.  Who during their free time spends it watching videos and reading about the subject.  Who is in your room working and learning and creating at all times of the day.  I had that student this year, and his name is Braeden.  I had Braeden in art 1 his freshman year, but for some reason, he decided to stop taking art for 2 years and finally returned to me his senior year for art 2: beginning ceramics.  I often wonder where he would be if he hadn’t taken that time off.   He started off as a normal ceramics student, doing the required beginning projects.  Then all of the sudden, he changed.  He found a passion.  He found what he wanted to do with his life.  He would come in whenever he could to practice throwing. He learned to make his own clay.  He learned about glazes and different types of firing and their temperatures. He attempted to make his own wood ash glaze.  It was amazing to watch his lust for learning about all things clay.  I eventually had to tell him to stop learning because he knew more than I did.  Of course this became a running joke, and I love it when he teaches me new things.  I loved being able to have those conversations about ceramics with him. I will miss that next year.

7. Starting Over, again, and again… Sometimes you think you have a great plan. And sometimes that plan, no matter how awesome YOU think it is, sucks.  This was the case with my art 2: painting/drawing class this year.  I won’t go into too much detail, as I wrote about having to start over with this class here.  But, I will say I learned a lot from that class.  It is okay to stop and rewind.  You HAVE to do what is best for your students, and if that means if what you are doing isn’t working, then try something else.  However, if you are going to “start again”, you have to keep your students informed about what you are doing and why.  I had that tough conversation with them.  I told them I wasn’t feeling it, and that I thought they weren’t where I had thought they should be.  That we needed a new direction, and this is what we were going to try.  They looked at me with puzzled looks, but they were willing to try.  I think in the end we started over twice.  But, they say third time’s a charm for a reason.  By the third start, we figured it out.  We figured what worked for them, what they needed to grow and be successful.

Like my ceramics classes, I do have some things to tweak, like the timeline for the artistic behavior units, the digging deeper sections, and how we get to full choice by the second semester.  I wish I could open the studio to full choice sooner, but seeing as my co-worker isn’t TAB, and my art 2 classes are a combo of his and my students…I have to do a little work to make sure all students understand the TAB studio.  It’s all good though….my kids could probably use a refresher anyway.

6. Two Wonderful Opportunities.  I work hard, both at my job and as an advocate for TAB.  So, it is nice when someone else recognizes what I am doing.  This year, not one, but two different people recognized this.  First I was asked by my friend, Betsy Murphy, to come and speak about TAB at the T(exas)AEA High School Division meeting at the 2015 conference. I was honored that Betsy, once my mentor, now my friend, thought of me in this way–that I had something important to share with my colleagues.Screen Shot 2016-06-05 at 10.37.47 AM

Second, I was asked to present at the AOE Winter 2016 Online Conference.  I presented about the assessment model I was working on.  It, again, was an honor to think that something I was doing would be of interest to other teachers.  I hope that it helped people make a connection between assessment and grades.

5. Speaking of AOE…Blog Finalist Here.  That’s right, Me, Jean Barnett, author of Art
Class by Mrs B, was a finalist inRisingStarFinalistHI the Art of Education, Blog of the Year, Rising Start category.  I didn’t win, but I think it is pretty cool that I made the list.  I even got a nifty badge to display on the blog.  Oh yeah!  I write my blog with the hopes of not only documenting my journey, but also of helping another art teacher by sharing with I have learned along the way.

4. Art Club I have been at my school for 9 years.  For 8 of those years, my co-worker “ran” the art club.  Well, I wouldn’t really call it running an art club.  I’m not really sure what it was. This img_20160211_220850.jpgyear I took over art club.  I can’t remember the exact reason why he was willing to give it up, but he did, and finally it was mine.  When we started, the club had no money (in fact the account had been closed due to inactivity), and they hadn’t done anything in years.  I advertised the club.  We met every Friday morning during tutorials.  We elected a president, a vice-president, a secretary, and a treasurer.  We sold popcorn, made Duck Art t-shirts and sold them, and even held a painting party.  Was it the best art club?  No.  Did we do a whole lot?  No.  But we did paint a mural in our computer lab, and I am glad to say that we did have a few hundred dollars in the art club account by the end of the year.  Furthermore, we still had members returning to meetings at the end of the year. So, I call it a win!  Small steps people!  I am so proud of the kids.  Next year will be even better.  I know it.

3. I am Not Invincible, But At Least My Admin Believes in Me. I like to think that I am invincible.  That nothing is going to bring me down, except for maybe myself.  And, that was definitely the case this year.  I won’t go into details, but I did have an incident this year that caused me to pause.  I can’t change what happened, but I can say that students can be unpredictable and retaliate in damaging ways.  Luckily for me, I have some students that know who I am, what I stand for, and what my students mean to me.  They were honest and I commend them for that.  I also learned that I have an administration that believes in me and what I do in my classroom.  My principal understands the climate of the art room, and how it differs from an academic class.  We had a long talk about it, and when I left his office, I knew that finally, I had an administrator that finally understood.

2.  School Art vs. Authentic School Art vs. What the Student Really Wants to Make Art This was something that I had not had a ton of thoughts about until I attended a session by Justin Clumpner at NAEA16 in Chicago.  He was talking about an AP student he had who wasn’t making the work or getting anything done.  Then one day he saw her sketchbook and asked her why she wasn’t creating works like her sketches.  Her reply, “I didn’t think I could.  I didn’t think this was ‘school art’.”  I thought that was an interesting concept…school art.  In TAB, we talk a lot about “authentic art”, and what our students are making is authentic art.  And, I thought that I encouraged authentic art and that my kids were making what THEY wanted to make.

That was until the end of April this year.  I happened to come across a tweet by one of my art 1 students of a painting she had just finished at her house.  I tweeted back to her that I thought she should do that in class.  When I talked with her about it the next school day, I asked her why she didn’t do this stuff in class.  She said she couldn’t figure out how to work it into the themes we were doing.   That’s when the lightbulb went off.  As much as I thought I was empowering my students to bring their own life into their artwork, and as much as I encourage authentic art…maybe I wasn’t doing all that I could.  I don’t have an answer yet as to how to really encourage it more, but I have an idea to work through over the summer.

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The Twitter Painting

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The Final Artwork

And, just as an aside, while this girl in particular worked hard all year, I never saw her work like the way she did on that final painting.  She learned so much and was so proud, and I could tell she was a little sad (but still proud) when I said I wanted to keep it to display in August when we returned to school.

1. Knowing You’re on the Right Track  Deep down in my heart, I know that TAB is what is best for my students.  It keeps them engaged.  It really helps them to grow artistically. And, it makes them think and reflect.  My years of running a TAB studio have been my favorite years of teaching.  But, sometimes, it is hard.  Sometimes you feel like the kids just aren’t getting it.  You feel like maybe the “others” are right, and you aren’t really teaching them anything.  You doubt yourself and your program.

But, then something happens. You assign a completely open final artwork for your art 1 students.  You see 90% engagement. You see growth at its peak. You see that they have been paying attention all year.  You see the research and the planning, the trials and errors, the experimentation, and the pushing forward all come out of the students.  Yes, I was physically exhausted for the last 2.5 weeks of school.  Yes, my room was a constant mess, for which I apologized to Connie, my custodian, on a daily basis.  But, I was happy.  I was proud.  I knew I didn’t need to doubt.  I hope to remember this next year when I will more than likely doubt myself again.  I can’t wait to display all this wonderful art in August.  I did include a few pieces from my art 2 class’ final work, Artists Work in a Series, in the slide show.

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Hope your year was as good as mine.  After I finish recharging over the summer, I will look forward to implementing what I learned from this year.  And I do want to take this opportunity to say thanks to my tribe for helping me and encouraging me along the way.

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Journey of an Artwork

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I want to share a story.  The tale of the journey an artwork.  Today a student’s piece finally found where it was going. She started with a proposal to make some kind of moving box…I don’t even know. I didn’t quite understand it.  But, she jumped in and started working, trying to figure out how to make it move.  She cut thin cardboard into enough squares and rectangles to make a box. She found some string and 2 buttons to help pull the walls down.

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When she got frustrated because she couldn’t make it do what she wanted, she took the box and began to spray paint. Every day she did a different side, experimenting with the spray paint.  Trying different color combos and using different tools.  Learning all this on her own.  She then decided she would instead turn her box into a lampshade.

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After completing the forth side, she came back into the room, her face all lit up with the spark of a new idea.  “I have a new idea Mrs. Barnett” she said. She began taking tape off her lampshade.  A little while later she came to me with 5 smaller pieces; each from a different part of her box. She found a silver piece of matboard in the cardboard bin.  She said, this is what I want it to be.  She was so happy.  I could tell she was much more in love with this piece. So was I.

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I write about this because I think that TAB has allowed this type of focus of the journey and the process.  If I had decided on the lesson and artwork ahead of time, my student would not have had the chance to stray, to experiment with different ways to work with spray paint, to problem solve, to experience the artistic process first hand. She was able to see that ideas change over time.  And to see that it is okay.