Some things have changed, for the better I think, in my art department. We have finally split the level by teacher instead of both of us teaching all levels. This is better for both the students and for us. It lessens the amount of preps for each of us, and it really makes sure that each student gets similar experiences after art 1, and the best each of us as teachers have to offer. Art students would have my partner for Art 2 and learn/practice lots of technique (that is his strength). Then when they come over to my room for Art 3, we would focus on the Artistic Process, finding their voices, and developing a studio practice. They return to him for Art 4 / AP, with the hopes that the year in my room really helps prepare them for the next level–especially creating a portfolio for AP. (Just as an aside, it did not lessen my preps this year, I have 7–one of which is AP. Such is life in a growing district with less than the ideal number of teachers. But I digress.)

I usually run my Art 3 like an Open Studio, where students follow their own interests in both subject matter and media. This year, I did find that many students do need help with the ATP (specifically ideation), so I brought in themes to help them. In previous years, it really was an open studio, but you have to adjust to the students you have if you want to be an effective teacher. I also use this studio format in my upper ceramics classes–Art 3: Ceramics still has themes where Art 4: Ceramics is fully student-led.

The biggest hurdle I have run into with these classes is how to evaluate my students and ultimately how to turn that into grading. I decided the main things to be evaluated should be the studio practice habits of each student. I evaluate them bi-weekly on their studio practices. It has taken a lot of trial and error to come up with a rubric that I feel works for what I want them to get from their time in my class. Evaluating their studio practices gives the students a lot of leeway on what and how they want to create.

I based my rubric on the 7 Goals of Art Class from Katherine Douglas. I thought that while the goals were created those for elementary students, they apply to any studio practice. I created a rubric that is based on these studio habit goals that are incorporated into the ATP (Artistic Thinking Process) stages. Coming up with a point system was a not so easy task, but I ultimately decided that every habit is equally important. Engagement is the highest because that really reflects their attitudes and productivity during the studio time each week. I use this rubric to determine my bi-weekly major grade for my upper level classes. 

As time goes on and I reflect upon my students and my teaching, I keep tweaking the rubric to be a better reflection of what I hope they are learning and practicing as emerging artists. But so far, this has worked well and I think is an accurate reflection of my students’ studio habits and practices.