Tag Archives: ceramics program

Typical Days in the HS TAB Studio

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As we get closer and closer to the start of the year, many people are asking what a typical day in the high school TAB studio/classroom is like. And well, it’s anything but typical. Just kidding. TAB classrooms are just like any other art classroom, just there is more independent thinking happening and less teacher-led projects. But, other than that, it’s pretty normal. We have routines just like any other classroom.

I thought I would create a small post outlining my day and my week as a high school TAB teacher. I see my students daily, all year long. This year we are back up to 50 minute classes. Woo hoo!! I teach Art 1, Art 3, and beginning through advanced Ceramics. Sometimes I teach AP or an Art 4, but those are on case by case bases. Unless it’s AP 3D, then that’s definitely me.

I like to have a routine that my students get used to, so they are comfortable and there’s not huge chaos every day. I have a white board, which when my room is not under construction, the students pass by as they come into class and they are encouraged to read the board so they know what they need to get out.

Mondays start off with either Artist Monday or Style/Movement Monday, for all my classes. We come in, watch a video and then the students answers questions, either in their sketchbooks (art 1) or on a slide deck (everyone else). That generally takes about 15 minutes of class total. After that, we go into one of 2 things, we get back to notes/practice of skills or studio time. Every other Wednesday, in art 1, we have a drawing test. Then, similarly to Mondays, the students pick up where they left off the day before. In my upper classes (art 3 and ceramics 2 & 3), I designate a day (usually every other Friday) for digital portfolio time.

Beyond those few fixed things, I typically don’t like to take much of the time away from arting. Kids will ask me what are we doing, and I say to look at the board. At some point, whether they need their sketchbooks or not, art 1 students will come in and grab it before sitting down. It has become a habit. Sometimes I address the class right at the beginning to do some house keeping, like reminding students of who I still need to go over ideas and development or when the last studio day for a unit is. Other times, I just let them get to work and don’t address the whole class until about 7 minutes left when it’s time to come to a convenient stopping point to begin clean-up.

When we do need to learn new skills (composition, perspective, facial features, etc.), we sit and take notes in our sketchbooks. After there is usually a small assignment in their sketchbooks to practice the new skills. New media explorations take about a week, while other smaller skills assignments take between 2-3 days (notes and practice time together.) When I do demos, where we (students and I) aren’t doing them simultaneously, I try to keep them under 10 minutes. That way, they still have at least a half hour of arting time.

There you have it. The biggest difference in my experience between when I was a more “traditional” teacher and a TAB teacher is that there is much more independent art making and exploring time. I circle the room more and talk to students more. There is not magic secret or formula. This is what feels right for my students and for me. It’s relaxed and safe and successful.

Working with “The 10”: Ceramics Packet Reflection

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My friend, Ian Sands, developed a system called “the 9“.  They are packets based around the basics of subjects of art that artists create.  It’s not about content, but more about category that art would fall into.  The packets include: the object, architecture, nature, landscape, figure, portrait, imagination, non-representational, and conceptual.  He introduced them to me some time last school year, and I thought they were wonderful.  I’ve been successfully using them with my art 1 students this year.  They are a great introduction to art categories, while allowing my TAB students to make lots of meaningful choices.

I tested them out last year with one of my classes, and thought that they would be a great tool for working with my ceramics students as they move along their artistic journey.  Sometime last spring, I began planning how to use Ian’s model for my ceramics program.  I began researching and decided that for the most part, ceramics artists’ works fall into most of the same categories.  But, I discovered that there are 10 categories, instead of 9.  They include: nature, animal, architecture, “figure”-ative, functionality, imagination, non-representation, portraiture, the object, and conceptual/installation.

Following Ian’s template, I created consideration questions for each packet, changed up the suggestions and geared the planning around requirements I have for my students.  I am very happy with the development of my packets.

Now, here’s where I am dissatisfied with “The 10”.  I rolled them out in a way that I find isn’t working the way I hoped.  I thought it would make my students more independent, so I introduced it with my intermediate and advanced students.  (They meet at the same time.)  I think this was my mistake.  I should have used it with my beginners after we completed the “have-to” portion of our class.  Seeing how my art 1 students are growing using “The 9”, helped me to see this.  Currently with my beginners, we do ceramic artistic behavior units right after finishing our “have to” section.  We just began our first unit, Ceramic Artists are Inspired by Nature, but I think that after this unit, we will pass out sketchbooks and move onto the next packet.  Nature is one of the packets after all.  We will continue through the rest of the year going through packets, picking up next fall with where we left off.  Then we will dive into deeper meaning with Ceramic Artistic Behavior units.

I will continue with my upper ceramic students in the way we are working. With the exception of one student, they are all seniors, and I’m not too worried about it.  They are working and learning and growing.

They say it takes 3 years to really build up a program.  Like I previously stated, this is the 5th year of the program.  I’ve been playing around with it, trying new things each year to replace things that weren’t working.  I feel I finally have a great grasp on the program and the progression it should take to truly have my students behaving and thinking like artists.  The timing of “The 10” was the final piece of the puzzle that finally fell into place.

 

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Example of “The 10: Nature Packet”